Prokofiev’s heart-wrenching score for “Romeo and Juliet”, with its deep musical symbolism and imminent emotion, is timeless, especially when paired with world class dancing. In the Mariinsky version with choreography by Leonid Lavrovsky, the libretto highlights the main parts of Shakespeare’s poetic tale with a rhythm of its own. On June 8th, two rising Mariinsky …
Once a year, the Mariinsky presents Jakobson’s “Spartacus” which now holds extra weight since new director Andrian Fadeev ran the Jakobson troupe for more than a decade. While the Mariinsky repertoire doesn’t actively perform other Jakobson works –that’s left to the Jakobson troupe itself when they appear on the Mariinsky stage— this production is a …
As winter weather peeks in — with snow predicted this last week in October for Petersburg — the wintertime setting of Mikhail Fokine’s 1911 production of “Petrushka” seems an apt choice for October billing. As the first in a three-ballet program on the 24th of October, the rather dark tale of the puppet retains …
This year’s White Nights festival has included numerous changes at the Mariinsky Theatre: the troupe’s second “tour” to the Bolshoi stage set for mid-July with “Fountain of Bakchisarei”, the appointment of the troupe’s first “artistic director” in many decades, the premiere of a new version of “Coppelia” (coming July 25th) and also a few debuts in …
“The Fountain of Bakchisarai”, referred to as a “choreographic poem” in four sections based on the work by Alexander Pushkin with a prologue and epilogue and created by Rostislav Zakharov in 1934, is a quintessentially Russian ballet in its philosophical leanings which juxtaposes the refined civilization of Slavic (in this case Polish) Europe with the …
Coinciding with the birthday of the city of Saint Petersburg, the Mariinsky’s annual White Nights Festival began on 27 May with summer heat flowing through the city. A full house ushered in the start of this yearly celebration of dance, symphony, and opera delights. Although they’ve not performed together in this ballet previously, Oksana Skorik …
Leonid Jakobson’s version of “Spartacus” is a monumental, three-act stylistic ballet that immediately carries the viewer to ancient Greece through its unique choreographic style. Inspired, it is said, by the haut-reliefs of the Pergamon Altar, this “Spartacus” is littered with parallel (turned in) leg and arm positions intended to reproduce the two-dimensional images on Etruscan …