Just as in June every year the Vaganova Academy students appear in 3 graduation performances on the Mariinsky Theatre stage, so too the Moscow State Choreographic Academy, in some ways Moscow’s equivalent to the Vaganova Academy, holds performances for its graduates on the Bolshoi stage every spring. On 17 May the first of this year’s performances took place, featuring a three act programme that covered everything from classical to new works.
Act I began with a Moscovian version of Chopiniana, slightly altering from the classical purity in choreography shown at the Mariinsky. A faster tempo throughout replaced the usual legato flavour of the piece. Here, a swivel step is changed to a clear faillé tombé, and there, the standard first position port de bras shifted to a folded elbow with the hand near the ear. The heads of the corps de ballet sylphs alter positioning based on the breath of their arms (at points where the Mariinsky version does not shift the head position). Port de bras during the tour jeté pose during the Waltz in G Flat major were shifted to an allongé position rather than first position overhead, done at the Mariinsky.
Graduate Ekaterina Fateyeva danced a swift Prelude but maintained the lyrical feel of the section. In the Eleventh Waltz, Camilla Matsi injected sudden puffs of speed when moving from position to position.