“Tonight, your efforts allowed me to forget I’m an artistic director and simply enjoy the dance,” such were the comments from Laurent Hilaire during the reception following the Stanislavsky Ballet’s long-awaited triple bill that premiered on 7 July 2017. Hilaire’s words underscored the troupe’s high level of artistic achievement during the challenging evening that included works by Serge Lifar, Jiri Kylian and William Forsythe, the first and last of which premiered for the first time in Russia.
Hilaire, brought to the company at the start of this calendar year, has already made sweeping changes in the troupe by importing new choreographers and adding a significant number of works to the repertoire. Maintaining strict adherence to the dancers’ rights to days off (a policy blatantly ignored at the Mariinsky for decades), his respect for the art form, and in-depth, creative, yet humble approach is pushing the Stanislavsky forward to compete against its neighbour the Bolshoi. In fact, the morning after this premiere, the long-awaited Bolshoi production by Yuri Possokhov, Nureyev, was put on hold indefinitely, it’s premiere previously slated for 11 July now cancelled until an undetermined date. Perhaps simple coincidence in timing, but a juxtaposition that nonetheless highlights the growing strengths of this “smaller” Russian troupe now under Hilaire’s direction.